Apparently there was a problem with the inserts at the Korean factory and it was decided not to use them. Although the catalog shows the PS10-II with "Paul Stanley" inlaid at the 21 fret, most were not produced this way. The biggest difference between them is that the PS10-II was made in Korean factories and the LTD and Classic were Japanese made and also had all the same features of the original 1978 model (like the Gibraltar bridge and Quick Change tailpiece). Sales must have been good because in 1997 yet another PS was offered in the catalog - this was sold as the PS10-CL (or Classic). The PS10LTD was made in Japan and had gold hardware (which Stanley is said to have not liked) as well as an ebony fretboard and different pickups than the PS10II. A deluxe version, the PS10LTD (or Limited) was also introduced in 1995. In 1995 the PS-10 was re-issued as the Korean-made PS10II. This model retailed for about $695 in 1978, and was offered through 1981. A live shot of him with the Iceman appears inside the album cover of KISS ALIVE II. Paul Stanley (rhythm guitar, vocals) played an Iceman for the next 4 years. The PS10 first appeared in the 1978 Ibanez catalog, although it may have been available for purchase prior to catalog printing. He liked the shape of the Artist 2663 model and made changes to that model as his ideas came to fruition in the PS10 model. They offered him a chance to develop his own signature model. Ibanez approached Paul while KISS was on tour in Japan in March, 1977. This came out in 1977 as the popularity of the rock band KISS skyrocketed.
Probably the most sought after by collectors is the PS-10, or Paul Stanley model. Paul Stanley of KISS favored the Iceman from 1977 to 1980 and again used it primarily from 1992 to 1997 until he started endorsing his own model by Washburn guitars.
Use and signature models by Paul Stanley The Ibanez Iceman II that was released in 1982/1983 had a different headstock with 6 in line tuners instead of the 3 a side tuners the original Ibanez Iceman had. The original Ibanez Artist/Iceman production was from 1975 to 1982/1983 with different models having set neck and bolt-on necks. Body wood, pickups and neck joint construction varied with the Iceman/Mirage model price. Greco Dry and DiMarzio Super II pickups were used for the Greco Mirage. Super 2000, Triple Coil and V2 pickups were used for the Ibanez Iceman, depending on the model number. The Greco model was named the Mirage and they are basically the same except for the pickup types that were used. The early Ibanez models were originally named the Artist 2663 models, launched in 1975. Hoshino Gakki (Ibanez) had the rights outside of Japan and Kanda Shokai (Greco) had the rights for Japan. Each distribution company had distribution rights to it in different global markets. A meeting between Hoshino (Ibanez), Kanda Shokai ( Greco) and one of the main guitar factories in Japan ( FujiGen) resulted in the Iceman/Mirage design. The idea was to build a guitar with an appealing original design, like a Les Paul or Stratocaster. In the mid-1970s Hoshino Gakki wanted to make a distinctly Japanese guitar and to start breaking away from the Ibanez replicas of Fender and Gibson models.
Ibanez rg serial number plus#
Lower labor rates at the time, plus efficient manufacturing meant that Ibanez guitars could be sold for almost half (or less) of the cost of a Gibson Les Paul or Fender Stratocaster. Hoshino Gakki exported copies of American electric and acoustic guitars in the 1950s, and by the mid-1970s the Ibanez guitars had reached a level of quality comparable to American guitars.
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